316 Things To Know About The Sony A7Iv'S Best All-Round Lens

This time, we’re going to talk about Best All Around Lens For Sony A7Iv. There is a lot of information about Best Lenses for Sony a7 IV in 2022 on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

The Best Sony Mirrorless Lenses for 2022 and Best Lens for the Sony A7IV are also linked to information about The Best Travel Lenses For Sony Full-Frame CamerasA Complete Lens Buying Guide. As for other things that need to be looked up, they are about 17 Best Lenses for Sony a7r iv [2022] and have something to do with 24 Best Lenses for Sony a7 IV in 2022: The Ultimate Guide.

316 Things About Best All Around Lens For Sony A7Iv | 17 Best Lenses for Sony a7r iv [2022]

• The Sony DT 50 mm F1.8 SAM lens is a 50 mm fixed focal length lens priced at only $169.99. Even at such a low price, the lens works great for city and urban photography and offers an incredible field of view even when you’re at a comfortable distance from your subject. - Source: Internet
• It’s a robust, complete lens system that benefits from Sony’s early bet on mirrorless, along with support from numerous third parties. Ultra-wide, macro, telephoto—it’s all covered, in one form or another. But figuring out which lens is right for you can be tough, especially if you’re just getting started with the system. - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for a lens to shoot beautiful landscapes and stunning architectures on your travel, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• Sony FE 85mm F1.8 Lens: Even though, the Sony FE 85mm F1.4 GM lens is the best portrait lens to get, it is not exactly compact and light. Plus, it is also extremely expensive and so if you are looking for a travel portrait lens that is much lighter, affordable, and capable of producing stunning bokeh, the Sony FE 85mm F1.8 is a much better option for you. - Source: Internet
• Sony’s most advanced technology is packed into this high-performance E-mount lens, delivering eye-opening G Master resolution and bokeh with extraordinary AF speed and precision. This excellent lens offers extraordinary resolution, gorgeous bokeh, and precise focus performance. This compact lens fits easily in the palm of your hand and weighs 524g, being ultra-portable and lightweight. - Source: Internet
• The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
• For those of you who are looking for the best and lightest travel lens to buy for your Sony a7SIII, this is the one to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
• Lens– Sony A7 IV is slaying the photography world with the excellence of 33 Megapixel; however, the competent shooter always knows the worth of the camera. With the moderate cost of $500 to $1000, you can achieve notably glamorous and professional-looking shots with the courtesy of a prominent lens. The effective lens that can be paired with the advanced Sony A7 IV has to be signified with these factors. - Source: Internet
• This lens has an aperture of f/1.8 and a focal length of 85mm. This Zeiss Batis 85mm short telephoto lens is an excellent portrait-length lens that has been created exclusively for full-frame E-mount mirrorless cameras. It features great sharpness, fast and quiet autofocus, and is dust and weather-sealed. - Source: Internet
• Looking for a complete review of the Tamron 70-300mm lens? Check out:A Traveler’s Review: Tamron 70-300mm F4.5-6.3 Di III RXD - Source: Internet
• If you’ve been paying close attention so far, you’ll likely have noticed that all the lenses I’ve recommended here are very sturdily built. That is of course part of the reason why I recommend them. And if you’re even more attentive, you may also have registered that nearly all of these lenses are part of Sony’s premium-quality G Master range. These two facts are not entirely coincidental; the GM lenses are expensive, but as they are clearly built to last, they are likely to be a good investment over time. Check Price - Source: Internet
• Significantly Sony G Master series lenses are considered to be the right companion for the Sony alpha series, specifically the Sony A7 IV. However, any lens with a reliable brand, decent prizing, versatile character that satisfies the compatibility eligibility of Sony A7 IV can slay the job. The compatibility of the Sony A7 IV is the E-mount lens with full-frame coverage and a moderate weight. Sony FE 70-200mm, Sony FE 90 mm, or Sony 24-70mm may do the job effortlessly and attractively. - Source: Internet
• The lens shows surprisingly magnificent properties when it comes to focusing. With a minimum focusing distance of 7.09 inches, the lens succeeds in enabling brilliant AF or MF techniques in shots. - Source: Internet
• By now those of you of a more nervous disposition likely start running the moment you see me listing yet another G Master lens. And yes, I know, they will not be within every photographer’s budget. But the fact is, if you’ve splashed out on a camera as sophisticated – and as costly – as the Sony a7IV, you would be doing yourself a real disservice if you pair that camera with substandard glass. Check Price - Source: Internet
• The Sony NEX 55-210mm f/4.5-6.3 Zoom Telephoto Lens is the ideal option for those who want to capture sport, nature or just about any subject that displays unpredictable movement. With built-in stabilisation, the lens works to reduce blur in both low range or low light scenarios. - Source: Internet
• What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
• Compact, lightweight and great value. A great alternative to the Sony FE 70-200mm F2.8 GM lens. - Source: Internet
• Nothing offers optical sharpness and clarity like the Sony 30mm f/3.5 Macro Lens does! Built with practicality and performance at top of mind, this versatile lens can be used in various scenarios including portraits, street scenes or full HD video. Despite its endless list of remarkable features, this device is presented in a sleek design and compact body. Lightweight and small in size, the lens is the perfect addition for any occasion! - Source: Internet
• Looking for a complete review of the Sigma 85mm F1.4 DG DN Art lens? Check out:A Traveler’s Review: Sigma 85mm F1.4 DG DN Art Lens - Source: Internet
• AF is fast, accurate, and totally silent. So you’ll have no reason for complaint here. And as with many of these top end Sony lenses, the aperture ring can be de-clicked. These features combined also make the FE 35mm f/1.4 GM a good choice for video work. - Source: Internet
• Despite its small size, there’s very little compromise on image quality. This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot wide open, although you might see some onion rings from time to time. - Source: Internet
• A short telephoto lens with the standard focal length of 105mm can lead to some flawless images with a bright f/1.4 aperture even in the dark. Three FLD, two SLD, and one aspherical element are associated with the color fringing, rendering, or improving clarity. The super-multi-layer coating also states its presence for tackling contrast-rich images. - Source: Internet
• If you are like me who likes to travel a lot in both nature and cities, I would get a combination of the Sony FE 24-70mm F2.8 lens as my main all-around lens, Sony FE 16-35mm F2.8 lens for shooting landscapes, and architectures, and the Sony FE 85mm F1.8 lens for incredible portraits of people around the world. - Source: Internet
• Two XA (extreme aspherical) elements and one aspherical lens element maintain excellent resolution throughout the entire image area and contribute to its compact and lightweight design. Two ED (Extra-low Dispersion) glass elements and one Super ED glass element result in optical refinements that suppress chromatic aberration and deliver excellent contrast and precise rendering at all apertures. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. So, delivering extraordinary resolution and gorgeous bokeh with precision focus performance, the Sony FE 14mm f/1.8 GM lens is an ideal lens for shooting astrophotography, architecture, landscape, and even portraits and movie. - Source: Internet
• For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If you want to save some money, I highly recommend you go for the Sony 85mm F1.8 lens and use the money you saved to invest in other lenses instead. - Source: Internet
• Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects. - Source: Internet
• 🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
• No matter which lens you choose from this list to pair with your new Sony Alpha A7IV, you can’t go wrong with any of them. From wide-angle to compression shots, the lenses mentioned here have got you covered. The array of lenses are vast, and hopefully this article has provided some insight on narrowing down your future purchase of a lens for your Sony A7 IV. - Source: Internet
• When traveling and wanting to carry light, this lens just might be one of the top contenders in that department. With a focal length ranging from 24mm-105mm, it can capture anything from wide scenery to compressed portraits. This lens has a constant aperture of f/4 at all focal lengths and provides sharp images all around. - Source: Internet
• In general, I’d highly recommend the Sony 35mm f/1.8 prime lens if you’re looking for a fast prime that can do anything well. It may not be the best lens for a Sony a7III or most Sony cameras, but it’s one of them and a key optic to keep in your collection. - Source: Internet
• The best portrait lens in the FE lineup! The new Sony FE 85mm f/1.4 GM Lens is the lens you must-have whether you are a professional portrait photographer or someone who demands the greatest quality possible. You will not find a better FE-mount lens anywhere else! - Source: Internet
• The lightweight Sony FE 50mm f/1.8 “normal” prime lens, which weighs less than 7 ounces (192 g), offers an exceptional combination of performance, compactness, and value, making it an excellent choice for hobbyist photographers and videographers who want to reap the benefits of a wide aperture prime lens at a reasonable price. There is a fixed focal range of 50mm on this lens, and it is absolutely suitable for a variety of applications such as portraiture, wedding photography, close-up detail photography, wonderfully adjusted depth-of-field photography, and so much more. - Source: Internet
• Aside from the lens flare, the Sony 16-35mm f/2.8 is my current favorite optic and arguably a key, best lens for Sony a7III cameras. If you want a very versatile wide-angle optic among Sony lenses for A7III cameras, this is an excellent choice! - Source: Internet
• This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also allows you to get super creamy and smooth bokeh. Plus, it’s a great lens to work with in low-light conditions. - Source: Internet
• Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two above-mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
• As you can come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any condition which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. - Source: Internet
• Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. - Source: Internet
• This lens is not only 2mm wider than the Sony 16-35mm f/2.8 GM; it’s also a lot more affordable, too. Moreover, its image quality is absolutely outstanding. - Source: Internet
• 📸 Which lens to choose: If you shoot for fun and value travel-friendliness, then go for the Tamron 28-75mm f/2.8. But if you’re looking for a more professional option and want the utmost image sharpness and the smoothest bokeh, then go for this heavier Sigma lens. - Source: Internet
• The lens does support brilliant focusing techniques with the minimum focusing distance measured at 7.5 inches with the magnification of 1:3.3. Apart from the intuitive manual focusing, the lens also includes the expertise of fastest and most precise Autofocusing with the courtesy of integrated stepping motor and optimized AF algorithm - Source: Internet
• Autofocus, meanwhile, is astonishingly quick. Indeed, AF is among the fastest of any similar lenses right now. It also locks onto fast-moving subjects with ease, and sticks with them. Barely missing a single frame even when shooting rapid bursts. - Source: Internet
• To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7 IV prime lenses for portraits. - Source: Internet
• This lens isn’t cheap, though. There’s also some vignetting when shooting wide-open, although that can be easily fixed on Lightroom. Its f/4 aperture also makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth. - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony a7SIII cameras. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens (review) bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• With the prospect of shooting the widest angle possible, the camera lens is blessed with a focal length of 20mm. Furthermore, to enhance the ability of the lens, numerous dispersion glass elements participate; these elements are three low dispersion elements for clarity, one molded glass aspherical element for spherical aberration and rendering. Last but not least, the lens is being covered with a broad-band Anti-reflection coating to avoid ghosting or flare. - Source: Internet
• If you plan to shoot indoors (such as sports or performances), you’ll benefit from this lens’s excellent low-light performance. And while bokeh isn’t quite as smooth as that of the Sony 70-200mm f/2.8, it’s still very beautiful. - Source: Internet
• When you compare the somewhat steep price point with having a series of prime lenses, the Sony 24-70mm f/2.8 becomes a lot more affordable. It also offers the advantage of not having to switch lenses to get a variety of focal lengths. - Source: Internet
• The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality. - Source: Internet
• In November 2019 we published our Sony A7R IV Sensor review. The Sony scored an excellent 99 points, securing a top-ten position in our Sensor ranking. In this article, we use the data from the A7R IV Sensor tests to recompute the results for a total of 25 Sony-compatible E-mount lenses so that you can now select the Sony A7R IV as a camera option when browsing our lens database and making comparisons. - Source: Internet
• The Sony 100-400mm f/4.5-5.6 is also not the best lens for shooting in low light. Because of its narrow max aperture, focusing on small subjects in low light can be difficult and slow. - Source: Internet
• The ultimate portrait prime lens. Beautiful bokeh. Ultrasharp at every setting, especially f/1.4. - Source: Internet
• The Sony 14mm F1.8 GM lens is designed to do just that. With the ultra-wide focal length of 14mm, you will be able to capture the stunning landscape in all its glory while also retaining the expansiveness of the night sky all in one frame. - Source: Internet
• Meanwhile, image quality is actually very good indeed. With excellent central sharpness even at f/2.8. Yes, there’s a slight drop in bite towards the corners when the lens is used at this aperture setting. - Source: Internet
• Sony calls the Sony a7 IV the basic camera. So we’re sticking with lenses that aren’t the highest end offerings. These lenses are all under $1,000 . - Source: Internet
• Sony FE 20mm F1.8 G Lens: If you are looking for a lens to vlog your travel with your Sony a7IV, the Sony 20mm F1.8 G lens is a great lightweight lens that both perform extremely well while being reasonably priced, making it a perfect starter lens for to start your travel vlogging career. - Source: Internet
• Looking for a complete review of the Sony 16-35mm F2.8 GM lens? Check out:A Traveler’s Review: Sony 16-35mm F2.8 GM Lens - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony GMaster lenses. - Source: Internet
• Unlike the Tamron 17-28mm F2.8 lens that I recommended earlier, the Sigma lens does go all the way to 16mm which makes it great for many travel applications. The lens doesn’t go as tight as the Sony GM with its 35mm focal range but I am happy to sacrifice the tight focal range for a lens that is more compact and lightweight. - Source: Internet
• The Sony FE 85mm F1.8 lens comes at only 371 grams and costs only around 550 USD retail. The lens produces sharp images as you can come to expect from Sony native lenses and even though the aperture is one stop less than the Sony 85mm F1.4 GM lens, the depth of field produces with this lens is still stunning, allowing you to capture a person in tack-sharp detail and throw the rest of the background out creating one of the most satisfying subject separations ever. - Source: Internet
• The FE 24-105 F4 G OSS lens is a wide range, mid-telephoto zoom lens. The unique aspect of this lens is its fluent focus; it will allow you to shoot your subjects from a distance and still manage to cut the background noise as no other lens can. This ability can be especially beneficial if you’re traveling to a crowded city. - Source: Internet
• This lens is also super user-friendly. To switch between autofocus and manual focus, you just need to push the focus ring out or pull it back in — there’s no need to flip a switch. This lens is also fantastic for low-light situations and shows no distortions, ghosts, or flares. - Source: Internet
• While the Tamron 28-75mm f/2.8 is a solid entry-level zoom lens, the Sigma 24-70mm f/2.8 DG DN Art is a great alternative if you’re looking for a pro/expert-level zoom lens. - Source: Internet
• The dual linear Autofocus motor integrated with the lens potentially delivers the smashing AF performance, including speed, time, and accuracy. However, the shooting doesn’t have to rely on the AF; the lens also grants freedom to tape the world with manual focus control, at the focusing distance of 2.62 inches with 0.13x magnification. - Source: Internet
• That’s very much the case when it comes to the excellent 50mm f/2.5 lens I review above. But there are also other hidden gems within the Sony E-mount range. - Source: Internet
• Sony’s DT 16-105 mm F3.5-5.6 lens is a great value for your money considering the range of focal length options it provides. You can shoot wide-angle photos at 16 mm focal length and equally good close-ups at 105 mm focal length. - Source: Internet
• Want to shoot a sky full of stars? This lens can do the job too. It’s a fantastic low-light lens that’s useful for both dark skies and low-lit interiors. Moreover, it autofocuses very quickly, accurately, and quietly. - Source: Internet
• This is the ideal macro lens for the Sony a7R IV, and it is also one of the sharpest lenses that Sony has ever produced. The Sony 90mm f/2.8 is a good lens for those who frequently shoot macro photography and close-up portraits because of its superb sharpness, depth of focus, and color rendition. Its maximum aperture of f/2.8 is effective while photographing in low light, and it allows for shallow depth-of-field focus when shooting in the industrial setting. - Source: Internet
• The best part about this lens is its form factor. Sony called this lens the world’s lightest Full Frame F2.8 constant aperture standard zoom lens weighing only 690g which is unheard of for such a versatile lens. - Source: Internet
• An incredibly sharp super-wide-angle lens that’s perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. CHECK PRICE ON AMAZON - Source: Internet
• Referring to the potential of camera Sony A7 IV, among the many other models, we see the Sony G Master series as the best fit to consider with unrivaled compatibility, efficiency, and versatile length. However, if you are on a tight budget, you may get yourself some of Sigma’s Global vision series model also, or you are looking for some reliable after purchase service period, then you should stick with the Tamron lenses. The choice is yours. - Source: Internet
• If you’re looking for a medium-wide angle lens, then the Sony FE 35mm f/1.8 is the best choice out there. It delivers stunning image quality and is super lightweight and travel-friendly. - Source: Internet
• The integrated stepping motor of the lens signifies the quickest, quietest, and most thoughtful Autofocusing algorithm, which is subjectified with the minimum focusing distance of 3.7 inches and a stunning magnification of 1:4.1 at the maximum. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7 IV macro lens for shooting microscopic subjects such as insects, bugs, and water droplets. Moreover, this lens also doubles as a fantastically sharp portrait lens. - Source: Internet
• Yes, there’s a touch of vignetting and pincushion distortion. And also a degree of color fringing – ironically, the cheaper lens actually performs a little better here. But there’s ultimately nothing of real concern. - Source: Internet
• The A7 IV is a potent camera established with new and updated standards and photography techniques. They are also reasonably priced according to the features. With the pairing of the compatible lens, you are all set to go to the thrilling world of shooting. So, what’s stopping you now? Grab the lens and unleash creativity promptly. We are open to suggestions, so do tell us what you think of the article in the comment below. - Source: Internet
• “Sony has some of the best color rendition around, and if you manage to get everything right in the camera, you’ll have very little to worry about in post-production. The 55mm skews warm in most cases, but if that’s not your thing, you can always fix it later. Also, the lens encourages chimping because you’ll want to see what you just took.” - Source: Internet
• Because only the center optical groups shift when focusing, an interior focus system with a short minimum focus range of 11′′ enables rapid autofocus activity and a short minimum focus range of 11. If you are looking for a dedicated macro zoom lens or a lens that can do both macro and portrait photography functions, then the Sony FE 90mm f/2.8 Macro G OSS lens is the lens for you. - Source: Internet
• Sigma 85mm F1.4 DG DN Lens: I used to recommend the Sony FE 85mm f1.4 GM lens as it was the best portrait lens money can buy but that lens weighs like a little planet in your backpack which is not exactly a convenient lens to travel with but with the new Sigma 85mm F1.4 DG DN Lens, that changes everything. - Source: Internet
• Incorporating different lenses into your photography allows you to capture unique photo outcomes. The most common question is ‘What lens should I get?’ – This depends on what you’re trying to achieve through your photography. Pair your Sony A7 IV with a compatible Sony E-mount lens to get the most out of your camera. - Source: Internet
• Tamron 28-75mm f2.8 Di III VXD G2 is the best budget standard zoom lens. It has great image quality, innovation, fast autofocus, and a durable build. Check availability at Amazon. - Source: Internet
• This lens demonstrates excellent central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip. - Source: Internet
• Rest assured, though, that if you do go for this lens you will not be disappointed with the quality of the images it produces. They are sharp as a tack from edge to edge. Even at the widest apertures. - Source: Internet
• Best of all, the price of this lens is more than half of the Sony 16-35mm F2.8 GM lens, making it one of the best value wide-angle lens you can get. With such an extremely attractive price point, this Tamron lens even had a Sony avid fan like myself think twice about buying the 2000+ USD GM lens over the 900~ USD Sigma lens. If you are looking for an affordable landscape/architecture lens for your Sony camera, this lens is a great option to consider. - Source: Internet
• The thing I love most about my Sony 55mm f/1.8 lens is its mid-range focal length. It offers just enough field of view to capture a scene while delivering the ability to bring the viewer into the frame with a hint of compression. - Source: Internet
• Seven diaphragm blades are included in the lens for dealing with the out-of-the-focus area. The compact design with the constructively durable material slays the lightest weight of 221 grams better than ever. In addition, the moisture-resistant body of the lens is front-coated with the layering of fluorine to keep the dust, dirt, and smearing away. - Source: Internet
• If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. It truly offers spectacular value. - Source: Internet
• The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7 IV lens to get if you want to maximize focal reach and shoot very faraway subjects, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
• Overall, image quality is very impressive. You won’t notice much difference between this lens and the above-mentioned Sony 70-200mm f/2.8 unless you’re a professional. - Source: Internet
• The lens has brilliant Autofocusing and Manual focusing techniques with the permission to use the minimum focusing distance of 11.02 inches with the supreme magnification of 0.14x. The direct-drive supersonic wave motor is behind the quietest, most precise, and most accurate AF of the lens. - Source: Internet
• I quickly settled on the Sony 55mm f/1.8. My three priorities of performance, size/weight, and affordability made this lens an excellent choice. - Source: Internet
• Usually, a prime lens is termed a fixed focal length lens, which does not allow the photographer to zoom in or out while filming. Instead, the lens has a determined focal length, which is intendedly devoted to deliver the fastest and most effective footage when paired with the Sony A7 IV camera. The following 33 megapixels of camera mingled up with prime lens competency it will proclaim the most delicate subject in frame-sided with a wider aperture. - Source: Internet
• With an f4 aperture, architectural buildings and moving subjects such as clouds, rivers, and waterfalls look equally captivating. Weighing only 225 grams and measuring 70 x 63.5 mm, you can easily fit this lens in your pocket and click memorable photographs on the move on your next vacation. - Source: Internet
• To shoot subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7 IV telephoto lenses. - Source: Internet
• This lens is characterized by its quick maximum aperture of f/2.8 as well as the presence of OSS (Optical SteadyShot) image stabilization, making it particularly well-suited for handheld shooting of distant and rapidly moving subjects. The introduction of an eleven-blade circular diaphragm for smooth out-of-focus areas improves the quality of the bokeh even further. Additionally, a Super Sonic wave Motor system with a double-linear and ring configuration deliver fast and responsive autofocus in both still and video capture. - Source: Internet
• The Tamron 17-28mm f/2.8 Di III RXD is the best wide-angle lens for you if you prioritize affordability and portability. It’s also an amazing lens for vlogging. - Source: Internet
• Under good lighting conditions, autofocus is very quick, smooth, and quiet. It also effortlessly tracks fast-moving subjects. Under dim lighting, though, this lens focuses quite slowly and can hunt for a while. Due to the narrow aperture, bokeh also isn’t the smoothest. - Source: Internet
• Summing up the article, we hope that you liked the article and have already confronted the rightful lens model for the Sony Alpha series. However, you might have to be extra cautious while purchasing the lens because it’s not something you buy on a frequent basis. So, we suggest that whenever you go hunting for the best lens for the Sony A7 IV model, consider checking the compatibility test online or at the physical store. - Source: Internet
• The list includes prime and zoom lenses from Sony and Carl Zeiss and covers focal lengths from 21 to 400mm. We have separated the primes from the zooms in the following sections and categorized them into wide-angle, standard, and telephoto lenses. Hopefully this will give you a better idea of which lenses work best on the A7RIV and help you find the right model for your specific style of photography or project. - Source: Internet
• Build quality is excellent. In fact, on this front at least, I can find little indication that the 50mm f/2.5 is of inferior quality to the much more expensive Sony GM lenses. - Source: Internet
• It’s also true that not everybody loves zooms. But as we’ve already seen, these Sony GM lenses really are something special. And as with the 24-70mm offering above, this GM will have all your old anti-zoom prejudices hastily making their excuses and heading for the door. - Source: Internet
• The Sony Alpha A7 IV Mirrorless Camera boasts a new 32MP sensor with an articulating LCD screen. With a 5-axis in-body stabilization, it’s hard to miss with this camera. From weddings to landscapes, this camera can do it all. With such a wide variety of glass to choose from, here you will find the best lens for your Sony A7 IV camera. - Source: Internet
• Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
• If you are going on a honeymoon trip or you would like to take photos of your partner while traveling then the Sony FE 85mm F1.8 lens is also great for you. If you like going on a safari or bird-watching, the Tamron 70-300mm F4.5-6.3 lens is a no-brainer. - Source: Internet
• The Sony FE 85mm is definitely the creator’s dream with an ideal portrait-length and prime properties and a sleek short-telephoto lens length. The luscious Autofocusing and bokeh combines the extraordinary, high-resolution image ideal for street, portraiture, landscapes, or documentary subjects. The affordable budget of the lens defines that the lens can be brought without bank-robbing expense. - Source: Internet
• With the standard 50mm focal length range, the lens is subjected to shoot portraiture, landscapes, lifestyle, architecture, and street muse. The highly intuitive aperture, which can be maximumly adjusted to f/1.2, takes care of the shallow depth of field outcome and lack of light scenario shots. - Source: Internet
• Sony 55mm f1.8 FE is still one of the sharpest lenses Sony has made. Check availability at Amazon. - Source: Internet
• The 14mm F1.8 Art boasts superb image quality from center to edge, thanks to the use of the largest glass mold (80mm) in the market, which provides photographers with an ultra-wide prime lens that nearly eliminates distortion, flare, and ghosting. A unique combination of a wide field of view and fast, adaptable performance, this lens is well-suited for astrophotography and low-light outdoor photography. - Source: Internet
• The DT 18-250mm F3.5-6.3 lens is a great entry-level lens; It helps you capture landscapes, portraits, and macros, thanks to its dynamic range. - Source: Internet
• This lens is very user-friendly. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip an AF/MF switch like you’d have to do on most lenses. It’s very intuitive. - Source: Internet
• The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the above-mentioned Sony 70-200mm f/2.8, and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
• A nice compact lens that ranges from 24mm-70mm. The constant f/4 aperture across the entire focal length delivers amazing optics. For people who like to travel light and compact, this lens definitely deserves some recognition. The refined optics in this lens ensures sharp and crispy images, especially since it has a built-in stabilization system. - Source: Internet
• The minimum focusing distance possible in the lens is 9.8 inches with a supreme magnification of 0.26x. For the left out of the focus area, the lens has the 11 rounded diaphragm wheels interacting for the pleasing bokeh. - Source: Internet
• BEST ZOOM LENS Tamron 28-200mm F2.8-5.6 This powerful superzoom is a wide-angle, standard zoom, and telephoto lens all at once. It’s the most travel-friendly and affordable all-in-one lens for Sony a7 cameras. CHECK PRICE ON AMAZON - Source: Internet
• (Check out the Sony 24-70mm f/2.8 review for some more shots taken with this lens paired with a Sony a7III.) - Source: Internet
• The lens has the capacity to tackle the trouble of low light or night shooting with the additional hands of the constant aperture of f/1.8. The fast and redefined optics of the lens states that the involvement of two extreme aspherical and one standard element plays a part in enhancing the image quality by reducing the unnecessary distortion and maintaining the standard of color rendering with one super ED element and two extra-low dispersion elements. - Source: Internet
• OUR TOP PICK Tamron 28-75mm F2.8 A top-value everyday lens that’s lightweight, beginner-friendly, versatile, and impressively sharp. It can shoot everything from portraits and landscapes to starry skies. CHECK PRICE ON AMAZON - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony a7IV cameras. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• Overall, this lens is truly a must-have if you’re serious about portraits. You’ll essentially get the same value as the premium Sony 85mm f/1.4 GM while paying much less and dragging around 450 g (15.8 oz.) less weight. - Source: Internet
• A high resolution and an outstanding image quality are among its most important innovations. The optical structure includes LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements to minimize aberrations. The imaging performance is very high at every focal length and over the entire image area. When the aperture is open, there is a beautiful bokeh effect. - Source: Internet
• This lens is quite expensive. You can get the Sony 200-600mm f/5.6-6.3 for a lower price and get 200mm more zoom reach, although that’s not a good lens for macro shots. - Source: Internet
• This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. Autofocus is incredibly fast, accurate, and silent. It also has no trouble tracking moving subjects, which is quite important for wildlife and sports shots. - Source: Internet
• Moreover, the lens also indulges a focus range limiter which grants freedom to constrain the focus range between 6.3 inches to 11.8 inches and 11.8 inches to infinite as according to the need. - Source: Internet
• On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed. - Source: Internet
• Cameras that can swap out lenses, like those in Sony’s mirrorless system, don’t work with just any lens. You need to shop for one that’s made for your camera. If you opt for the Sony system, you benefit from a decade’s worth of lens development, which means there are oodles of optics from which to choose. - Source: Internet
• This is the newest ultra-telephoto zoom lens from Tamron to date. Its 8x zoom ratio means you can cover a wide range of focal lengths with a single lens — perfect for everything from wildlife to sports photography. It’s also equipped with Tamron’s VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism and proprietary image stabilization mechanism VC. - Source: Internet
• The lens uses the moderately constant aperture of f/2.8 at maximum to strike the balance of light into low light surrounding images. The exquisite properties of the lens make it a perfection, specifically when it comes to every day walk-around or regular subject shooting. - Source: Internet
• If you’re looking for the best value portrait lens, the Sony FE 85mm f/1.8 takes the cake. This lens is ultra-sharp, produces beautiful bokeh for blurry backgrounds, and has the perfect focal length for portraits. On top of that, it’s also very small and lightweight. - Source: Internet
• It is designed to be the ultimate portrait lens; as such, the new Sony FE 85mm F1.4 GM telephoto prime lens achieves the ideal combination of resolution and blur in a small and portable form. It is an excellent lens for portrait photography, and it is also suitable for a wide range of other topics. If you’re looking for a less-priced 85mm lens, the Zeiss Batis 85mm f/1.8 is a good option. - Source: Internet
• A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. CHECK PRICE ON AMAZON - Source: Internet
• A minimum focus distance of 0.19 meters (maximum magnification: 0.2 times) and a lovely bokeh are achieved with this lens, which also boasts exceptional close-up performance. If you are a YouTuber or a vlogger, this is the lens for you to use. - Source: Internet
• This new Sony FE 14mm f/1.8 GM lens allows you to capture the world with new perspectives by delivering sharp resolution from corner to corner with little to no distortion, especially when shooting landscapes, architecture, starry skies and interiors. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoots. - Source: Internet
• You should also consider the lens family. Sony gives its better optics a G designation and reserves the GM (G Master) moniker for its highest-quality lenses. If you own a high-resolution a1 or a7R model, it’s often worth it to splurge on a GM lens, but you can usually get excellent results with more affordable lenses if you work with an a7 or a6000 camera. - Source: Internet
• See also this video review about the 3 Essential Sony Prime Lenses. These three lenses are Sony FE 24mm f/1.4 G Master (Bhphoto, Adorama, Amazon), Sony FE 14mm f/1.8 G Master (BHphoto, Adorama) and Sony FE 35mm f/1.4 G Master (BHphoto, Adorama, Amazon). - Source: Internet
• To help you decide on the best lens for your intended use, we have categorized the lenses into the following groups. This should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
• The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear images of wild animals like birds or the big five during a safari trip. - Source: Internet
• Rokinon AF 14mm f/2.8 FE ($849): An excellent performer! Great quality and a much better price than the native lenses. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. - Source: Internet
• While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7 IV zoom lenses out there. Here are our other top choices. - Source: Internet
• This lens also has a constant maximum aperture of f/2.8, which makes it easier to maintain exposure settings even while zooming in and out of the frame. Because of its superior optical construction and variable speed, this standard zoom is well-suited for use in a wide range of locations and lighting circumstances, including low-light situations. - Source: Internet
• The Sony FE 100-400mm f/4.5-5.6 GM OSS is the absolute best super-telephoto zoom lens you can get in terms of image quality, performance, and versatility. As a matter of fact, it also doubles as a macro lens thanks to its maximum magnification ratio of 0.35x. - Source: Internet
• As you could come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. Its F2.8 aperture allows you to use the lens in a low-light condition such as during the sunrise or sunset, as well as astrophotography. - Source: Internet
• Overall, this lens performs really well. It’s impressively sharp in the center even when shooting wide open, has minimal distortions, and is great for low-light situations. Autofocus is fast, reliable, and tracks moving subjects well. - Source: Internet
• With a relatively fast f/1.8 aperture and autofocus, the lens is versatile and works exceptionally in a variety of lighting conditions. Moreover, the lens is also apt for photography as well as videography and works just as well for still imagery as it does for moving subjects. - Source: Internet
• Sony FE 85mm F1.8 Lens: Even though the Sigma 85mm F1.4 DG DN lens is the best portrait lens to get, it is not as light and affordable as this lens and if you are looking for a travel portrait lens that is the most compact and lightweight but capable of producing stunning bokeh, the Sony FE 85mm F1.8 is a much better option for you. - Source: Internet
• So, if you are the lucky one who have already got the Sony a7 IV (Amazon, B&H, Adorama), the next thing is to find the best/right lenses for your Sony a7 IV camera. In order to help you get a professional-like shot, here we list the top recommended and most suitable native full-frame E-mount lenses for Sony a7 IV mirrorless camera including leading prime and zoom options from wide-angle to telephoto, which helps you choosing the exact lens of your demanding situation. You can just choose the one you need! - Source: Internet
• Macro shots are all about the details, and this lens is one of the sharpest Sony lenses ever built. It is flawlessly sharp at all apertures, even wide-open, and will bring out the tiniest details in your subjects. Bokeh is also very smooth and creamy. - Source: Internet
• The Sony FE 28mm f/2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance, and bright f/2.0 aperture. - Source: Internet
• The pinnacle of convenience. The Sony FE 24-240mm f/3.5-6.3 OSS lens, which can cover everything from wide-angle to telephoto in a single compact form factor, is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits, and travel where reducing luggage is a priority. - Source: Internet
• Despite its size, the 70-200mm GM is actually very lightweight. In fact considerably lighter than the MK I version of the lens. Nonetheless, its build is extremely rugged, comes with weather sealing, and all in all inspires total confidence in the lens’s ability to endure even the roughest of professional treatment. - Source: Internet
• All three lenses improve across the field into the outer zones upon stopping down just one stop, though all three have lower sharpness at 70mm, along with relatively weak edge performance. Starting from a wider aperture gives the FE 24-70mm F2.8 GM an advantage here, though, as it has excellent corner-to-corner sharpness throughout the focal range at f/5.6. It retains high sharpness stopping down further, whereas the Sony Zeiss’s performance continues to fluctuate, with softer outer zones returning at 70mm f/11. - Source: Internet
• This lens offers spectacular value for money. It’s ultra-sharp from corner to corner at every aperture. In fact, according to Sony’s MTF chart, it’s possibly even sharper than the more expensive premium Sony FE 85mm f/1.4 GM. - Source: Internet
• Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot very far away subjects. - Source: Internet
• The bright f/1.8 aperture of this lens is what makes it truly spectacular for videos and photos. It’ll allow you to get super smooth bokeh (even better than the Tamron 28-75mm f/2.8 mentioned above) as well as beautiful, crisp, and noise-free low-light videos/photos. - Source: Internet
• In addition, this lens is ultra-sharp from edge to edge even when shooting wide open, and autofocus is super fast and reliable. If you’re a fan of bokeh, you’ll be very pleased. You’ll also be able to get some fantastic low-light shots thanks to the f/1.8 aperture. - Source: Internet
• The minimum focusing distance measured of the lens is 1.3 inches with a magnification of 0.17x. The lens is also blessed with the G Master resolution and bokeh effect manager, along with the additional nano AR coating for a quality image. - Source: Internet
• This lens is ultrasharp edge-to-edge even when shooting wide open (at f/1.8). You’ll get details so rich that you don’t even have to sharpen your photos at all in post-processing! - Source: Internet
• It comes highly recommended! When combined with an exceptionally bright design, the Sony FE 24mm F/1.4 GM is a very fast and adaptable lens that is well-suited for landscape, nature, and street photography. It has a popular wide-angle focal length and is particularly bright. When shooting wide open at its maximum aperture of f/1.4, this lens produces exceptionally crisp images throughout the whole frame. - Source: Internet
• Sony’s FE 24-70mm f/2.8 GM standard zoom lens is a fantastic choice for professional portrait and wedding photographers as well as travel and event photographers that want the highest optical performance available. The XA element eliminates aberration and provides the highest possible resolution across the whole zoom and aperture ranges, as well as from corner to corner of all image files captured with this element in place. - Source: Internet
• For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7 IV lenses for videos. - Source: Internet
• I carry this lens in my backpack 100% of the time and I have the Sony 16-35mm f2.8 GM Lens mounted on my Sony camera 85% of the time. It is really that good! If you are looking for the best lens to shoot landscape/architecture, I guarantee you, you are going to love this lens. - Source: Internet
• At one point or another, almost everyone wants a mid-range zoom lens. When Sony released the 24-70mm f/2.8 GM lens in 2016, it was immediately apparent that quality was their number one priority with this edition! - Source: Internet
• The lens is small and lightweight. And despite being made of engineered plastic it nonetheless feels solid and well built. In any case, the lens mount is metal, and there is weather sealing at the gasket. - Source: Internet
• Price-wise, this lens offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). - Source: Internet
• Zeiss Batis 135mm f/2.8 ($1,999): This Zeiss Batis 135mm f/2.8 mid-length telephoto prime lens is ideal for portraiture, weddings and travel photography. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. - Source: Internet
• References: (1) https://digital-photography-school.com/brand-name-versus-third-party-photography-gear-which-is-better/ (2) https://www.sony.com/electronics/lenses - Source: Internet
• A prime, wide-aperture lens designed for compact mirrorless Sony E-mount cameras. Apart from being small and lightweight, the Sigma 35mm f/1.4 DG DN Art Series Lens – Sony E-Mount features a silent autofocusing system. Thanks to its stepping motor and inner focusing system, you can shoot fast and quietly. The perfect companion for your Sony Alpha 7 IV. - Source: Internet
• Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348): Excellent lens for landscape photography! For everyone from landscape professionals to those who want to just dabble in wide-angle photography, this Sony Zeiss FE 16-35mm f/4 is one of best FE-mount lenses: impressive sharpness, fast focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements. If you want a faster wide-angle lens, try the Sony FE 16-35mm f/2.8 GM lens. - Source: Internet
• The lens is destined to be paired with a full-frame camera for the creative and artistic vibe, justified by the advanced fastest aperture of f/2.8 at maximum. This aperture makes the low-lighting shooting most accessible as a cakewalk. - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for a lens for your Sony a7IV to shoot landscapes and architectures on your travel, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• If you’re deciding between this lens and the Sony 100-400mm f/4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes. - Source: Internet
• More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open. - Source: Internet
• The Sony FE 85mm F1.8 lens comes at only 371 grams which makes for a lightweight setup when you pair it with your Sony a7IV and it costs only around 550 USD retail which is almost half the price of the Sigma 85mm F1.4 DG DN lens. - Source: Internet
• With hybrid aspherical lenses, you will produce sharply defined images with a minimum of distortion and chromatic aberrations. This manual focus 14mm lens focuses as close as 0.9′ (28 cm) from the lens, and has a built-in petal-type lens hood. - Source: Internet
• 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7 IV wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
• Third-party support is good on full-frame primes, but less so with zooms. Manufacturers have tended to concentrate on APS-C format lenses in the past, though that will change, what with companies like Sigma and Tamron keen to get a slice of Sony’s mirrorless FF share. Indeed, we’ve only two models in our database in this category, though we’ve yet to test to Sony’s promising (if pricey) $1,800 FE 12-24mm F4 G. We have, however, tested both of Sony’s 16-35mm zooms—the stabilized F4 Zeiss at $1350 and the $2,200 F2.8 GM version. - Source: Internet
• The Sigma 14-24mm f/2.8 DG DN Art is an amazing choice for you if you want a zoom lens that’s even wider than the above-mentioned Sony 16-35mm f/2.8 GM. - Source: Internet
• On the downside, this lens is quite costly for a lens of its type. There are also some visible chromatic aberrations at wider apertures, especially if there’s a high contrast between the subject and the background. However, this is easy to remove with Adobe Photoshop. - Source: Internet
• Below are top rated Macro lenses for Sony Alpha a7IV. The Sony FE 90mm f/2.8 Macro G OSS lens (Amazon/B&H/Adorama) and Sigma 105mm f/2.88 DG DN Macro Art lens (Amazon/B&H/Adorama) are the best choice. - Source: Internet
• The only real downside of this lens is that it’s not the cheapest thing in the world. With that said, given its top-notch video/image quality, travel-friendliness, and fast f/1.8 aperture, you definitely get incredible value for what you pay for. - Source: Internet
• Weighing a mere 281 g (10 oz.), this lens is also really small, lightweight, and easy to take everywhere. Autofocus is also very fast, reliable, and silent. - Source: Internet
• The heavy-duty composite lens with the rubberized control rings surrounding it gives the permission to shoot under any condition and climate. Moreover, the fluorine-coated front element keeps the dust, moisture, and fingerprint stain away. Yet, even with such heavy features, the lens calmly managed to slay at the weight of 950 grams only. - Source: Internet
• Cleaning Kit– if you spend like $2000 to $3000 on a branded camera and its luxurious accessories, you might need to shield the camera from the exterior dust particles. While purchasing the Sony A7 IV, consider buying the cleaning kit for your camera and lens. This cleaning kit might include a sensor cleaning package, Air Blaster, Cleaning Wipes, Dry cleaning cloths; these can be easily available at physical stores as well as online shops. - Source: Internet
• It offers all the top performance characteristics of a G-Master lens and produces spectacular images. The contrast and sharpness of this lens are spectacular – see more in Chad Winstead’s Sony 70-200mm f/2.8 review (the image above was taken by him). - Source: Internet
• For those of you who are looking for the best and lightest travel lens to buy for your Sony a7IV, this is the one to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• The Sony FE 16-35mm f/2.8 GM is a premium lens that pretty much has it all. Its zoom range is super practical and allows you to shoot a large variety of wide-angle settings. On top of that, it has a fixed aperture that’s perfect for videos and low-light photography. - Source: Internet
• This lens is spectacularly sharp edge-to-edge throughout the whole zoom range, even when shooting wide open. The only lens that can rival its image quality is the previously mentioned Sony 24-70mm f/2.8, which is heavier, more expensive, and offers less focal reach. - Source: Internet
• The Vario-Tessar T* 16-35 mm lens performs incredibly well at all its focal lengths. The images retain their sharpness and clarity even when the exposure or depth of field changes. The distortion – even at the highest zoom ranges – is negligible. - Source: Internet
• Built-in Optical SteadyShot picture stabilization lessens the impact of camera shake, which is especially useful at longer lens lengths. Overall, it is moderately priced and the best option for convenience. And it’s a good option for individuals on a tight budget. - Source: Internet
• The ultra-wide prime lens is destined to be paired with a full-frame camera in order to tape flawless shots with a focal length of 20mm. The bright constant aperture f/1.8 at the maximum plays its part harder into working through low light shooting and better control over shallow depth of field. - Source: Internet
• Why It’s Great: This is by far our favorite. It’s lightweight, small, and a great performer all around. If you really need an f1.4 aperture, then go for the G Master variant. But no one can hate on this lens. - Source: Internet
• This lens is a much more recent addition to my camera bag. When the Sony 35mm f/1.8 was released I immediately knew it would be added to my kit. - Source: Internet
• The Sony 24-70mm f/2.8 was designed with quality and performance in mind. If you want the best quality in a mid-range zoom and aren’t concerned about size/weight, it’s an excellent choice among lenses for a7III cameras. - Source: Internet
• It is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers extremely detailed photos and videos — if you want the utmost image quality, look no further than this lens. - Source: Internet
• The Sony FE 50mm f/1.8 is a very small budget-friendly lens that’s perfect for casual everyday shots. Weighing only 186 g (6.6 oz.), it’s also super portable and travel-friendly. - Source: Internet
• Its manageability is enhanced by its compact and lightweight design, which makes it ideal for active shooting. Shooting closes up at F2.8 may result in some spectacular historical bokeh. The achievement of class-leading dimensions and fat reductions, while maintaining remarkable optical performance, has already been accomplished. Landscapes, architecture, up-close portraiture, sports, action, and a variety of other subjects are all possible with this lens. - Source: Internet
• The rounded nine diaphragms bladed play a part in organizing an attractive bokeh in the out-of-the-focus area of the image. The entire weight of the lens’s dust and moisture-protected body is recognized at 371 grams only, which is the biggest plus for buying this lens. Aspherical elements, 9 elements in 8 groups, bring the lost professionalism in image resolution. - Source: Internet
• Sony sells two types of mirrorless cameras. The a6000 series and ZV-E10 are built around the APS-C size, and its a1, a7, and a9 cameras use the larger full-frame format. Because of this, you need to be a bit careful and ensure that you buy the right lens for your camera. Sony consistently names its APS-C lenses with an E designation, while full-frame options get FE, but third parties don’t always follow suit. - Source: Internet
• The Sony E 70-350 mm F4.5-6.3 G OSS lens is a telephoto zoom lens that can help you capture a wide range of subjects, from wide-field landscapes to close-ups of wildlife. - Source: Internet
• The prizing of the lens compatible with the Sony A7 IV varies on the type of lens you are picking. Every kind of lens is associated with its own distinguished price tag based on its featuring, optimum performance, and focal length. For example, if you are picking a wide-angle lens, you can sum up the budget of $799 to $899; if you extend your will for higher length and pick a telephoto lens, the budget increased to $1000 to $2000, and if you are sticking with a standard or macro lens, you may get the best fit somewhere around $500. - Source: Internet
• An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. CHECK PRICE ON AMAZON - Source: Internet
• We have five lenses in this category, with prices ranging from $450 up to $1600. Among those is the 21mm Carl Zeiss Loxia; while understandably not one of the top three best-performing models that we’re going to look at more closely, it easily matches them for peak sharpness, so it shouldn’t be dismissed. And although in last place, the Sony Zeiss 35mm F2.8 is also an excellent performer, though $800 isn’t exactly cheap for a f/2.8 lens. - Source: Internet
• For a lens of its kind, it’s very lightweight and travel-friendly. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it makes no compromises on image quality. - Source: Internet
• The Sigma 14mm f/1.8 DG HSM Art lens, which is available in Sony E mount, is one of the best ultra-wide angle lenses ever created, and it is one of the most expensive. The 14mm F1.8 Art, which debuts as the world’s first 1.8 wide-angle lens, includes the same innovative aspherical element as Sigma’s critically praised 12-24mm F4 Art, which was also released in 2012. - Source: Internet
• If you’re planning to shoot in dim lighting conditions, this lens won’t disappoint. You’ll get high-quality, noise-free shots even in low light. Autofocus is impressively fast and very silent, too. There are also minimal flares and great ghost control. - Source: Internet
• Priced at only $349.99, the Sony E 20 MM F2.8 lens gives you exactly the kind of image quality, contrast, and sharpness that you expect while shooting with a prime lens. - Source: Internet
• The lens design includes an extra-low dispersion and aspherical elements to reduce a variety of aberrations, color fringing, and distortion. The optics are complemented by multicoating that also suppresses flare and ghosting for improved contrast. Balancing the optics is an XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. The lens also sports a dust- and moisture-sealed design to support shooting in inclement conditions. - Source: Internet
• Looking for a top-notch everyday zoom lens? Look no further than the Tamron 28-75mm f/2.8 Di III VXD G2. It’s super sharp, versatile, and the best value entry-level lens. - Source: Internet
• While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6 GM, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, edge sharpness is quite poor. - Source: Internet
• If you are looking for a powerful lens that could stay on your camera 99% of the time, you can stop looking. At $499.99, the DT 18–135 mm F3.5–5.6 SAM lens delivers a wide range of focal lengths, and its power zoom and autofocus ensure quality movie shots. - Source: Internet
• Furthermore, the bright and intelligent aperture of the lens with the measurement of f/2.8 to f/5.6 gave access to work in whatever lighting condition. - Source: Internet
• On the downside, this lens has a much shorter focal range than the Sony 16-35mm f/2.8 GM, so it can be limiting. All in all, it’s a top-value choice for those looking to shoot ultra-wide. - Source: Internet
• This lens shows impeccable image quality. It delivers edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. It also autofocuses quickly, accurately, and pretty much silently. - Source: Internet
• The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. CHECK PRICE ON AMAZON - Source: Internet
• It also costs around 600 USD which is more than half the price of the Sony 35mm F1.4 GM lens I recommended above. If you are only starting out and are looking to do more street photography when you travel, the Sony FE 40mm F2.5 G lens will be a great lightweight addition to your camera arsenal. - Source: Internet
• The durable body of the lens is protected with dust and moisture and coated with fluorine to resist external particles and ease of cleaning. Even with the rigid strength, the lens somehow manages to only get the record-breaking lesser weight of 162 grams. With other basic controls, the lens is also crafted with an additional focus hold button for intuitive control over focusing. - Source: Internet
• Being part of Sigma’s Global Vision series line, the lens would not disappoint you when it comes to focusing. The integrated stepping motor gave the quickest and most accurate autofocusing with the minimum focusing distance of 11.8 inches. - Source: Internet
• Something I have come to love about the Sony alpha mirrorless cameras is how fast their autofocus system works. It’s great to have a lens that can keep up with this amazing performance. Well, the Autofocus on this lens is really fast and silent! - Source: Internet
• Many people just like programming the focus hold button on this optic to “eye autofocus”, making it that much easier to get tack-sharp images. (See my full Sony 85mm f/1.8 lens review for more sample images.) - Source: Internet
• Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap and it might not be reasonable to buy them especially if you are just starting out so for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens. - Source: Internet
• Sony FE 40mm F2.5 G Lens: For a cheaper alternative to the Sony 35mm GM lens and the one that fits better with the smaller form factor, the Sony FE 40mm F2.5 G lens is definitely worth your consideration. - Source: Internet
• Sony FE 70-200mm f/4 G OSS ($1,498): The small size, versatile 35mm focal length, and outstanding overall performance of this lens make it an ideal match for compact 35mm full frame format E-mount bodies. This makes it useful for portraits and sports photography where you want to separate the subject from the background. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. - Source: Internet
• Sony FE 12-24mm f/4 G Lens ($1,698): Sony’s widest full-frame E-mount lens. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down. - Source: Internet
• Bokeh is very important for good portraits, and this lens is a bokeh king. It’ll allow you to create beautifully smooth out-of-focus backgrounds for your subjects. This lens also shows fantastic low-light performance. - Source: Internet
• However, that the build quality of the two lenses is so comparable is perhaps more a reflection of how much of a bargain the f/2.5 lens is than it is a criticism of the f/1.2 GM model. - Source: Internet
• This lens is also very lightweight, compact, and travel-friendly. Its mighty zoom range takes away the need to carry and swap between multiple lenses. Moreover, it has a tough and weather-resistant build. - Source: Internet
• Sony offers the 85mm f/1.4 GM lens if you want maximum performance but for me, the 85mm f/1.8 is the perfect balance of performance and value! - Source: Internet
• So, if you are the lucky one who have already got the Sony a7R IV, the next thing is to find the best/right lenses for Sony a7R IV. In order to help you get a professional-like shot, here we list the top recommended and most suitable native full-frame E-Mount lenses for Sony a7R IV mirrorless camera including leading prime and zoom options from wide-angle to telephoto, which helps you choosing the exact lens of your demanding situation. You can just choose the one you need! - Source: Internet
• Even at f/1.4, images made with this lens are beautifully crisp, detailed, and contrasty. And that goes for the corners pretty much to the same degree as the center of the frame. And as is often the way, this performance gets even better as you stop down, too. - Source: Internet
• This Sony FE 70-200mm f/2.8 GM lens, which combines the highest level of clarity with stunning bokeh, is unquestionably a fantastic lens in every respect. Suitable for photojournalists, sports, and wedding photographers, it captures images from a variety of viewpoints, from close-up to telephoto, and it is sharp, focuses quickly, and produces low distortion. - Source: Internet
• The new Sony FE 70-200mm f/2.8 GM OSS II Lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29% – making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done. - Source: Internet
• A truly outstanding performer! Excellent high quality at a significantly higher cost than the indigenous lenses. A unique perspective suited for architecture, landscapes, and a wide range of other subjects is provided by this 14mm zoom lens, which has an f/2.8 aperture and an ultra-wide angle of view. Three Aspherical and two ED zoom lens elements, as well as UMC anti-reactive coatings, work together to reduce chromatic and spherical aberrations, resulting in remarkable image clarity, contrast, and color fidelity, as well as a great resolution from the center to the corners of the image. - Source: Internet
• This lens performs better in low light than the Sony Zeiss FE 55mm f/1.8, and it produces more natural bokeh. It offers exceptional picture quality, superb clarity, simple bokeh, and is highly developed. - Source: Internet
• I’m getting the Sony A7IV as a beginner camera that I can grow into. Hearing it’s a great hybrid camera for both photo and video is great but I’m kind of lost at what lens I should go for. Should I go wide for the crop issue or would it not really matter since I’m just starting? What would be a good hybrid lens for photo and video? - Source: Internet
• It comes in at a svelte 9.9 oz (281g) and balances superbly with the Sony a7III. At one point I thought I had lost this lens because I picked up my satchel and thought it wasn’t in there or had fallen out simply because it was so lightweight! - Source: Internet
• This Sony FE 400mm f/2.8 GM OSS lens is great for sports, wildlife, and environment photographers because it combines a super-telephoto focal length with a bright aperture and a compact, lightweight build. A unique optical design that includes three fluorite elements, as well as extensive use of durable magnesium alloy components, allows the Sony FE 400mm f/2.8 GM OSS lens to weigh only 6.38 lbs. - Source: Internet
• Tamron lens is also known for producing tack sharp images which is also the case for this lens too. If you are looking to get into wildlife photography and do not want to spend 2,000+ USD for a lens, the Tamron 70-300mm F4.5-6.3 lens is hands down, the best lens to get. - Source: Internet
• On top of all that, this lens is also very travel-friendly as it is lightweight and compact. With its f/1.4 aperture, there’s also no better wide-angle lens for creating beautiful bokeh. - Source: Internet
• The lens incorporates a unique optical design that includes an aspherical element that successfully adjusts for all forms of aberration, resulting in stunningly clear and detailed imagery. Additional features include a circular aperture that opens up to a maximum of f/1.8, which results in photographs that have gorgeous bokeh that helps the subject to shine out against a seamlessly defocused background. - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build-quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp images even when the lighting is poor. - Source: Internet
• This is also a great low-light lens. You can expect high-quality results even when shooting indoors or at dusk. Its zoom range and wide aperture make it perfect for videos too. - Source: Internet
• On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. For a relatively slow lens, it’s also not exactly cheap, despite its somewhat approachable price. - Source: Internet
• Sony FE 600mm f/4 GM OSS ($12,998): Combining a super telephoto length, bright aperture, and lightweight design, the FE 600mm f/4 GM OSS Lens from Sony is designed for their E-mount cameras and is ideal for sports, news, wildlife, and nature photographers. The lightest in its class, weighing in at only approx. 3040g, the FE 600mm F4 GM OSS features an extremely balanced design to ensure the best possible shooting experience. Along with the acclaimed FE 400mm F2.8 GM OSS lens, the new 600mm gives professional sports, wildlife and news photographers more options for capturing subjects at great distances with extreme accuracy and detail. - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build-quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp footages even when the lighting is poor. - Source: Internet
• I raved about this lens’s bokeh when I first discovered it. But having lived with it a little longer, I think that although the bokeh is fairly attractive, it’s not quite as amazing as I initially thought. Although to a degree this depends on the subject. - Source: Internet
• The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. CHECK PRICE ON AMAZON - Source: Internet
• If you want the most top-notch image quality, then the Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get. According to expert Roger Cicala from LensRentals, out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
• Per its higher DXOMARK score, the best all-round performer is the $1299 Carl Zeiss Batis 25mm F2, but with only one more point, it is more or less tied with the $1600 Sony Zeiss Distagon FE 35mm F1.4. In third place is the Sony FE 28mm F2. At just $450, it’s a great performer for the price, but as always with lenses, it’s well worth taking a closer look at the performance at different apertures. - Source: Internet
• 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too! - Source: Internet
• The lens is blessed with inventive focusing techniques, which allows the user to enjoy the splendid mastery of Autofocus or manual focus. The focusing distance measured minimum at 4.3 inches with the ideal maximum magnification of 1:2. - Source: Internet
• The two 70-200mm lenses share generally similar sharpness characteristics throughout the focal range from f/4 onwards, but the 70-200 F2.8 version has one very distinctive trait that makes very attractive: it’s sharper wide open at f/2.8 at 200mm than it is at 70mm. That’s unusual in a zoom, but it’s not without one potential downside—that of noticeable astigmatism when wide open, though it becomes less of an issue stopping down. - Source: Internet
• The Sigma 70mm f/2.8 DG Macro Art is a lightweight and affordable macro lens that delivers razor-sharp results. If you want to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
• Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
• The Sonnar® T* E 24 mm F1.8 ZA lens is a fixed focal length prime lens manufactured by ZEISS with a constant F1.8 aperture. Such a large aperture will help you obtain some of the best sunsets, night sky, and dimly lit architectural spaces. The lens is also an ideal pick if you’re planning to shoot time-lapses. - Source: Internet
• Both this Sony lens and the Sigma 24-70mm f/2.8 have better build quality than the Tamron 28-75mm f/2.8, which is another reason why they’re pricier. - Source: Internet
• Zeiss Loxia 2/50 4.5 The Zeiss Loxia 2/50 is one of the best modern manual focus lenses out there, and is worthy of being called Editors’ Choice. $699.00 at Amazon See It (Opens in a new window) Zeiss Loxia 2/50 Review - Source: Internet
• Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
• If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
• This lens is very sharp across the whole zoom range. While the corners are a bit softer than the center at all focal lengths, they’re still impressively sharp. Moreover, distortions, color-fringing, ghosts, and flares are all kept at a minimum level. - Source: Internet
• A small but critical feature is that the Sony A7IV comes with a ‘close shutter when powered down’ setting for the camera. This might not sound like a lot, but as long as you’re willing to wait three seconds after powering down, this makes it significantly safer to swap lenses outside of your hotel room. Typically, if you’re out and about, dust, water and anything else in the air can make it impossible to safely swap, but this prevents particles on the sensor and doesn’t ruin your day. - Source: Internet
• Tamron 70-300mm F4.5-6.3 Lens: For those of you who are looking for a more compact and affordable option for a wildlife lens, I can’t recommend the Tamron 70-300mm F4.5-6.3 lens enough. - Source: Internet
• In fact, while I really like the bokeh produced by the f/2.5 lens, objectively the f/1.2 wins out here by a margin – not only due to the shallower depth of field that the faster aperture can produce, but also simply in terms of aesthetic qualities. - Source: Internet
• Every necessary focus dial and primary working button is being integrated on the outer side of the lens for easy control even when holding. To capture the sight of the perfect candid or steady subject, the 35mm focal length is perfectly beneficial. The fastest f/1.4 aperture at the maximum keeps the dark environment shooting troubles away. - Source: Internet
• The Rokinon 14mm f/2.8 AF FE full-frame Sony E-mount lens. Designed specifically for the unique rear element to sensor distance of Sony E mount full frame mirrorless cameras, and with a bright f/2.8 maximum aperture, this ulta-wide achieves optimal performance with reduced size and weight. - Source: Internet
• Another accessory which you might want to consider when buying a new Sony lens is the camera lens filter. Lens filters are externally attached to the camera lens to alter the amount of light and colors that enter your lens. Controlling these aspects helps you naturally enhance your photos. - Source: Internet
• The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography. - Source: Internet
• When selecting a lens for Sony, the most important factor to consider is what you’re going to be shooting. Whether it’s wildlife, portraits, or a range of subjects, it is important to match your lens appropriately. Another important consideration is your budget. Because the cost of a lens varies depending on how advanced the lens is, it is important to determine what capabilities you require from your lens. Choose from a quality range of Sony lenses and lenses from Tamron and Sigma for your camera and budget. - Source: Internet
• The Sony a7 IV (B&H/Adorama/Amazon) is Sony’s best selling full frame mirrorless camera released in late 2021. Sony a7 IV is a great camera for most photographers. To take photo or video with Sony a74, you need a lens for it. Looking for recommended lenses for Sony a7IV ? We have tested and reviewed latest lenses, and below are top recommended ones for Sony a7 IV: - Source: Internet
• With a close focus distance of only 90mm, this lens achieves complete 1.0x macro reproduction, making it excellent for creating monstrous enlargements of tiny bugs and other microscopic objects. Fast autofocus action and a short minimum focus distance of 11′′ are achieved through the use of an internal focus system in which only the middle optical groups move during focusing. - Source: Internet
• This lens will cover all the applications the Sony 24-70mm F2.8 lens can’t making it a great secondary lens to the all-around lens I recommended above. If you are looking for the best lens to shoot landscape/architecture, this is the best lens to buy. - Source: Internet
• An excellent performer! Great quality and a much better price than the native lenses. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this Samyang AF 14mm f/2.8 FE lens offers excellent image quality and beautiful background blur and it is a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. - Source: Internet
• Why It’s Great: This is the best bang-for-your buck zoom lens. It has great image quality, innovation, fast autofocus, and a durable build. You can’t hate on it. - Source: Internet
• In addition to offering an ultra-wide field of view and superb corner-to-corner sharpness at a fast maximum aperture of F1.8 (as standard), the Sony FE 20mm f/1.8 G is a sleek and wide-eyed prime lens that is distinguished by its portability, innovative optical construction, and intuitive handling. With a weight of only 373g, its tiny size and lightweight make it an excellent choice for videographers and vloggers, and it is well suited to a wide range of shooting situations such as landscapes, cityscapes, starry nights, and environmental portraiture. - Source: Internet
• The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7 IV simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. - Source: Internet
• I’m sure you can find an article that describes the detailed specs of how the Sony 28mm f/2 performs, but photographers who make great pictures rarely worry about these details. To summarize, this lens has minimal issues and generally delivers excellent performance. It’s a definite contender for being one of the best lenses for the Sony a7III. - Source: Internet
• If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7 IV lenses to bring to dream destinations. - Source: Internet
• One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
• Notably designed for the highest resolution, the lens manages to deal with the chromatic aberration and contrast-rich image with the multi coating. This reminds us to mention the dust-free and moisture-resistant body of the lens inclined to work in heavy or low-temperature surroundings. With the essential control dials on the outside and durable body materialistic, the lens still managed to weigh around 174 grams only. - Source: Internet
• A versatile wide-angle lens from Sony, featuring an enviable optical design. This lens has been crafted to deliver high resolution and sharp images. The lens is equipped with aspherical elements that effortlessly fix image distortion and chromatic aberrations to ensure that the output surpasses expectations. - Source: Internet
• The Zeiss Sonnar T* FE 55mm f1.8 ZA was one of five new lenses launched alongside Sony’s full-frame mirrorless 36-Mpix Alpha 7R and 24-Mpix Alpha 7. It’s a premium model weighing 9.9 oz (281g) and adopting a dust and moisture resistant construction and metal outer shell. The optical construction consists of 7 elements arranged in 5 groups is relatively simple and in keeping with the Zeiss Sonnar lens design. - Source: Internet
• An amazing wide-angle zoom lens that is both fast and flexible! This lens is distinguished by its constant maximum aperture of f/2.8, which ensures consistent performance across the zoom range and is especially useful when working in low light circumstances. With this lens, no matter what magnification setting or focus distance you use, the image quality is constantly excellent from corner to corner, with gorgeous historical bokeh when needed. - Source: Internet
• Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens. - Source: Internet
• This is the ideal macro lens for the Sony a7R IV, and it is also one of the sharpest lenses that Sony has ever produced. The Sony 90mm f/2.8 is a good lens for those who frequently shoot macro photography and close-up portraits because of its superb sharpness, depth of focus, and color rendition. Its maximum aperture of f/2.8 is effective for shooting in low light and provides for a shallow depth-of-field focus while shooting in bright light. - Source: Internet
• Sony’s 85mm f/1.8 is a fan favorite for portrait photography. The wide aperture delivers incredible subject isolation and bokeh at this focal length. You can expect this lens to focus with excellent accuracy, speed, and smoothness shooting wide open. The build quality feels great in hand and the compact size is a bonus. - Source: Internet
• The maximum aperture ranges from f/4.5 to f/6.5, which can be adjusted accordingly. Furthermore, to improve aberration correction technique and image resolution enhancement, the lens indulges with numerous elements and 15 elements in 10 groups dealing with the dispersion. Seven diaphragm blades of the lens are responsible for the appealing bokeh effect surrounding. - Source: Internet
• A dynamic ultra wide-angle focal length with an especially bright design, the Sony FE 14mm f/1.8 GM lens is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. - Source: Internet
• As expected, the 55mm f/1.8 offers excellent edge-to-edge sharpness throughout the aperture range. Sometimes sacrifices must be made to make a lens affordable, but I can’t seem to find anything to complain about with this model! - Source: Internet
• This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
• This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
• Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7 IV. - Source: Internet
• The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
• Previously, I had been using the Sony 35mm f/2.8 lens which is incredibly compact but I often felt limited in low light by the f/2.8 maximum aperture. It was a very sharp, high-performance lens, except in low light. - Source: Internet
• The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget wide-angle lens that’s especially good for landscape and architecture shots. Even though it’s affordable, it has a sturdy build quality and offers incredible value for money. - Source: Internet
• This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open. It autofocuses very accurately, quickly, and quietly, which makes it great for wildlife shots. It also takes great portraits. - Source: Internet
• The new 28-75mm F2.8 G2 zoom lens achieves extremely high performance when paired with high-grade, ultra-high resolution digital cameras and has a great compact size. The perfect companion for your Sony Alpha 7 IV, this lens features a new optical construction based on a design that has been revamped to enhance imaging performance and its features are compatible with the latest model digital cameras that offer an increased resolution. - Source: Internet
• Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies. - Source: Internet
• One of the most appreciated aspects of the lens is its hybrid autofocusing with the minimum focusing distance of 31.5 inches, enfolding the maximum magnification recorded ratio 1:9.4 wide and 1:5.1 long. - Source: Internet
• Autofocus is also very fast and reliable. Additionally, this lens performs fantastically in low-light conditions and creates beautiful bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, ghosts, or flares. - Source: Internet
• I think this lens is the perfect combination of performance and size. You can read more about it in my Sony 35mm f/1.8 review. - Source: Internet
• For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If I were you, I would get this lens instead of the Sony 85mm F1.4 GM lens, save more than half the money, and go and invest in adding other lenses to your arsenal. - Source: Internet
• Thanks to its focal length and wide aperture, this lens also takes amazing casual portraits. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 — it’s an even better budget portrait lens for the Sony a7 IV. - Source: Internet
• Sony FE 600mm F4 GM OSS The Sony FE 600mm F4 GM OSS is a big, serious lens for capturing distant action, but its price makes it purely for professionals and very serious enthusiasts. MSRP $12,999.99 MSRP $12,999.99 Sony FE 600mm F4 GM OSS Review - Source: Internet
• All things considered, then, this is a great little 50mm lens. And while it doesn’t quite achieve the same heights, or offer the same fast aperture, as the 50mm G Master version (below), it’s really not far off. Meanwhile, the price is considerably lower. You decide! - Source: Internet
• The lens comes in only 173 grams and 43mm in length which makes it a perfect street lens to travel and carry around on your trip abroad. The aperture of F2.5 is fast enough for most situations and the focal length of 40mm is not too far from the recommended 35mm focal length for street photography. - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens at a more affordable price point. - Source: Internet
• At 21mm, this Cine lens will let you capture an incredibly wide scene, making sure nothing is left out. The intention of this lens is to provide a sense of substance, as it is excellent at providing subject isolation. This lens also has the ability to shoot in extremely low light without raising the ISO, making it ideal for those scenes in the evening. If you’re worried about using it on rainy days, rest assured because this lens also weather-sealed. - Source: Internet
• Sony FE 35mm f1.4 GM Lens: In street photography, you will be running around shooting at moving subjects that often move spontaneously and you will need a lens that is at the most natural-looking focal length, unobtrusive, and extremely fast which is why I recommend the Sony FE 35mm F1.4 lens. - Source: Internet
• . We’re focusing on some of the fastest lenses when it comes to autofocus. Just because you’ve got a G Master doesn’t mean we think it’s one of the best lenses for the Sony a7 IV. In fact, it might not focus as quickly. - Source: Internet
• This lens has been designed for speed and is equipped with a fast and constant f/2.8 aperture, which will be useful in low-light situations as well as for capturing photographs with a shallow depth of field. The introduction of an eleven-blade circular diaphragm for smooth out-of-focus areas improves the quality of the bokeh even further. - Source: Internet
• Zeiss Loxia 21mm f/2.8 ($1,499): Excellent Manual Focus Wide Angle Prime Lens! Despite its compactness, the super wide-angle Zeiss Loxia 21mm f/2.8 Lens offers outstanding image performance – and it is extremely sharp all the way to the corners. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. - Source: Internet
• We have five lenses in this category, ranging from 24-400mm and costing from $1,000 all the way up to $2,600 in price—all Sony-made. The 70-200mm are mainly the choice of serious enthusiasts and professionals, as is the 100-400mm F4.6-5.6 G, while the 70-300mmm and 24-240mm are more likely to be of interest to enthusiasts looking for a wider and more general range of uses. - Source: Internet
• The Sony FE 50mm f/2.8 Macro Lens, as the name suggests, is perfect for macro photography. Compact, lightweight, and portable, this lens is more popular than its bulky macro lens counterparts. The lens is dust and moisture resistant, and you can carry it for your outdoor macro photography expeditions without any worries. - Source: Internet
• Autofocus on this lens is fast, reliable, and completely silent. Moreover, you’ll barely see any distortions, ghosts, or flare. While you’ll see strong vignettes at wider f-stops, they can be easily removed in post-processing via Lightroom. - Source: Internet
• The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world. - Source: Internet
• Zeiss Batis 25mm f/2 ($1,299): Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. - Source: Internet
• Zeiss Batis 85mm f/1.8 ($1,199): An ideal portrait-length lens, this Zeiss Batis 85mm short telephoto has been designed specifically for full-frame E-mount mirrorless cameras: superb sharpness, fast & quiet auto focus and Dust and weather sealed. Fast f/1.8 maximum aperture benefits working in low-light conditions and also offers extensive control over depth of field for selective focus applications. - Source: Internet
• Fast aperture at wide-angle in a compact and lightweight Design. An excellent alternative to the Sony FE 24-240mm f/3.5-6.3 OSS lens. - Source: Internet

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Video | Best All Around Lens For Sony A7Iv

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